Please join Cultivate Cinema Circle as we screen six films in space. Next up is Alfonso Cuarón’s Oscar-winning (Best Cinematography, Best Directing, Best Film Editing, Best Original Score, Best Sound Editing, Best Sound Mixing & Best Visual Effects) film Gravity .
- Screening Date: Saturday, August 13th, 2022 | 1:00pm
- Venue: The Mason O. Damon Auditorium at Buffalo Central Library
- Specifications: 2013 / 91 minutes / English / Color
- Director(s): Alfonso Cuarón
- Print: Supplied by Swank
- Tickets: Free and Open to the Public
Downtown Central Library Auditorium
1 Lafayette Square, Buffalo, NY 14203
(Enter from Clinton Street between Oak and Washington Streets)
716-858-8900 • www.BuffaloLib.org
COVID protocol will be followed.
Academy Award® winners Sandra Bullock (The Blind Side) and George Clooney (Up in the Air, Syriana) star in this heart-pounding thriller written, directed and produced by Oscar® nominee Alfonso Cuarón (Children of Men) and set in the infinite and unforgiving realm of deep space. Bullock plays a brilliant medical engineer on her first shuttle mission, with Clooney as a veteran astronaut in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving the two completely alone — tethered to nothing but each other and spiraling out into the blackness. The deafening silence tells them they have lost any link to Earth…and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But the only way home may be to go further out into the terrifying expanse of space.
- Venice Film Festival – 2013
- Toronto International Film Festival – 2013
- National Board of Review – 2013
- Golden Globes – 2014 – Winner: Best Director – Motion Picture
- Golden Globes – 2014 – Nominee: Best Motion Picture – Drama, Best Performance by an Actress in a Motion Picture – Drama & Best Original Score – Motion Picture
- Academy Awards – 2014 – Winner: Best Achievement in Visual Effects, Best Achievement in Film Editing, Best Achievement in Music Written for Motion Pictures (Original Score), Best Achievement in Sound Editing, Best Achievement in Directing, Best Achievement in Sound Mixing & Best Achievement in Cinematography
- Academy Awards – 2014 – Nominee: Best Performance by an Actress in a Leading Role, Best Achievement in Production Design & Best Motion Picture of the Year
“The only reason you make a movie is not to make or set out to do a good or bad movie, it’s just to see what you learn for the next one.”
Courtesy of TCM:
Having established himself as a compelling filmmaker in his native Mexico, director Alfonso Cuarón came to international attention with his hit, “Love in the Time of Hysteria” (“Solo Con Tu Pareja”) (1991), which opened up the doors of Hollywood. His inventive romantic comedy led famed producer and director Sydney Pollack to hire Cuarón to direct an episode of his noir anthology series, “Fallen Angels” (Showtime, 1993-95). Soon it was a quick jump to his first American feature, “The Little Princess” (1995), which earned the praise of critics, but failed to become a box office success. Following the box office failure of his next film, a contemporary adaptation of Charles Dickens’ “Great Expectation” (1997), Cuarón returned to Mexico to direct the funny, politically conscious and unabashedly sexual “Y tu mamá también” (“And Your Mother, Too”) (2001), which propelled him to the upper tier of international filmmakers. Though graphic in its depiction of sexuality, the film nonetheless led to Cuarón’s next job, directing “Harry Potter and the Prisoner of Azkaban” (2004), one of the darker and more thrilling films in the successful franchise. Cuarón then helmed perhaps his finest work, “Children of Men” (2006), a dystopian science fiction thriller that garnered widespread acclaim and turned the director into a household name.
Born on Nov. 28, 1961 in Mexico City, Mexico, Cuarón was the son of Alfredo Cuarón, a nuclear scientist who worked for the United Nations’ International Atomic Energy Agency and who left the family when his children were young. Cuarón grew up an avid film watcher, which led to studying both cinema and philosophy at the National Autonomous University of Mexico before moving on to learn film at the Centro Universitario de Estudios Cinematográficos in Mexico City. But because he directed his first short film, “Vengeance Is Mine,” in English, Cuarón was summarily kicked out of film school. He picked himself up by working as a technician in television, while also serving as an assistant director on many English-language films shot in Mexico and Latin America, including on Luis Mandoki’s docudrama “Gaby-A Love Story” (1987) and the same biopic “Romero” (1989), starring Raul Julia as the doomed Archbishop Oscar Romero. Cuarón made the transition to feature film director with “Love in the Time of Hysteria” (“Solo Con Tu Pareja”) (1991), an inventive romantic comedy about a young man (Giménez Cacho) misdiagnosed with AIDS by a jilted lover (Dobrina Liubomirova), who contemplates suicide, only to fall for a flight attendant (Claudia Ramírez) also looking to end her life.
Written with his brother, Carlos Cuarón, “Love in the Time of Hysteria” was refused distribution by the Mexican government, but found life on the international film festival circuit, where it eventually caught Hollywood’s attention. Director-producer Sydney Pollack took special notice and brought Cuarón to the United States in order for him to helm an episode of his noir anthology series, “Fallen Angels” (Showtime, 1993-95), which earned him a CableACE Award for his work. Moving on to features, Cuarón directed “The Little Princess” (1995), a critically-acclaimed box office failure that was the third go-around for the Frances Hodgson Burnett story. First shot in 1917 as a silent starring Mary Pickford and remade as a Shirley Temple vehicle in 1939, the story centered on a young girl of privilege (Liesel Matthews) forced into servitude at an austere boarding school as she searches for her lost father. Critics championed Cuarón’s film, a beautifully-photographed and stylized version that captured the charm and grace of the original story while adding its own dose of unflinching realism. Warner Brothers attempted to garner audience support by re-releasing the film after its initial theatrical run, but audiences stayed away. At year’s end, however, Cuarón was cited by the Los Angeles Film Critics for his efforts.
For his follow-up to “A Little Princess,” Cuarón directed “Great Expectations” (1997), a modern update of the Dickens classic set in a Florida fishing village and New York art’s scene. Still a tale of a young man making his way in the world, the film starred Ethan Hawke, Robert De Niro and Gwyneth Paltrow, but was met with mixed reviews and a mediocre box office performance. With his next project, Cuarón at last found serious acclaim and popularity with the release of “Y tu mamá también” (“And Your Mother Too”) (2001), the frank and funny portrayal of two adolescent boys (Diego Luna and Gael García Bernal) and their road trip with an older woman (Maribel Verdú) that turned into an runaway international success. The film was an intoxicating mix of road comedy, sex romp and socially aware drama that seemed to flow on the screen and sweep audiences away. Although the film was met with some controversy over its graphic sex scenes, the overwhelming response was positive. Cuarón had captured the passion of youth and showed it to audiences in an authentically tender, albeit raw, way. Perhaps treading into the wild and isolated land of his native Mexico allowed Cuarón to find this charmingly honest story of the unspoiled hearts of two boys before they become men.
The success of “Y tu mamá también” led Cuarón to a seemingly unlikely and far more commercial project, helming “Harry Potter and the Prisoner of Azkaban” (2004), the third film installment of the popular J.K. Rowling series. While Cuarón demonstrated a potent sense of visual flair and brought a welcome element of darkness to the franchise, the film – like its predecessors – still suffered from an understandable unwillingness to stray too far from the source material, leading to a certain sense of over-caution. Nonetheless, “The Prisoner of Azkaban” was another in a long line of box office successes for the franchise, taking in close to $800 million worldwide. Prior to “Harry Potter” being made and “Y tu mamá también” being released, Cuarón was approached by producers Hilary Schor and Marc Abraham, who had acquired the rights to author P.D. James’ 1992 dystopian novel, Children of Men. Though Cuarón was interested, Universal Pictures lacked enthusiasm, perhaps due in part to the events of September 11, 2001; at the time, studios were highly reluctant to produce bleak films about the end of human civilization. Ultimately, Cuarón went on to direct “Harry Potter,” promising Schor he would return.
Cuarón stayed true to his word, returning from England with renewed perspective and the clout of a hit director. He and writing partner Timothy Sexton set out to work on the script, infusing current events like the war in Iraq, torturing prisoners, and illegal immigration into a framework that transformed James’ meditation on the loss of hope into a hyperkinetic mix of chaos, martial law and the collapsing of a not-too-futuristic society. Cuarón and Sexton developed not a science fiction story, but a “movie about the state of things,” which reflected the failings of humanity and people’s lack of historical perspective. “Children of Men” (2006) starred Clive Owen as Theo, a former political activist-turned-bureaucrat and Julianne Moore as his former love, who convinces him to help transport a young woman (Claire-Hope Ashitey) pregnant with the world’s only child after civilization has long been infertile to safety. While box office success remained elusive, “Children of Men” roused critics, many of whom called it the best film of 2006, and it became a favorite among film buffs for several high-impact tracking shots that were long talked about following the film’s release. The Academy Awards failed to nominate the film for Best Picture, though Cuarón did receive a nod for Best Adapted Screenplay. After producing friend Guillermo del Toro’s hit “Pan’s Labyrinth” (2006), he formed the independent production company Cha Cha Cha with fellow Mexican-born filmmakers del Toro and director Alejandro Gonzáles Iñárritu, which was set to finance five films for a total budget of $100 million, including Iñárritu’s “Biutiful” (2010).
Cuarón’s next film, “Gravity” (2013), was a technological breakthrough, using innovative camera techniques to film stars Sandra Bullock and George Clooney as astronauts stranded in outer space. The script, by Cuarón and his son Jonas, was equally acclaimed. A massive commercial success, “Gravity” was nominated for 10 Academy Awards and won seven, including Best Director for Cuarón.
- Roma (2018)
- Gravity (2013)
- Children of Men (2006)
- Harry Potter and the Prisoner of Azkaban (2004)
- Y Tu Mamá También (2001)
- Great Expectations (1998)
- A Little Princess (1995)
- Solo Con Tu Pareja (1991)
Here is a curated selection of links for additional insight/information: